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Ableton Live 10 Review - Bedroom Producers Blog
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- Ableton live suite 10 review free
Sure, there's no compressor, but the sound result is still superb. The big performance feature that makes this really worth the price tag is the Capture function. This is constantly recording from all the MIDI inputs right to all tracks, even when playback is stopped.
What this means is that you can hit the Capture button to create a MIDI clip of everything you've recently played. All that means no more worries about recording, and - more importantly - not recording, as you just play and work that part out afterwards. The Arrangement View is super clean now, with automation lanes and chooser menus hidden away as the default.
Create a breakpoint by double clicking an automation lane in the Arrangement or Clip Envelope and then those breakpoints will auto snap to the horizontal grid when dragged.
Drum Buss, a channel-strip effect designed for drum processing but by no means limited to drums, offers some basic controls and a few hidden surprises, including compression, distortion, lowpass filtering, low frequency enhancement i.
Track Groups are a quick and easy way to create submixes with just a few key commands or mouse clicks , sparing you the painful experience of messing with audio routing options. There are a number of meaningful improvements in the Arrangement View, such as the ability to shift data within a clip without moving the clip itself, and the ability to Warp the edges of audio clips without having to mess with the warp markers in the Clip View.
This is a great way to compile MIDI tracks on the fly without the performance anxiety of actual overdub recording. Ableton Live 10 introduces a number of useful improvements while continuing the performance-oriented legacy of its predecessors. Bryan Lake is a sound designer and a musician. It looks really cool. The folders are just coloured tags, so nothing is actually moved; objects can be assigned to multiple Collections, and coloured dots next to their names indicate their membership.
Hugely useful. The Echo Tunnel graphic gives at-a-glance visualisation of delay timings and feedback amount in totally intuitive style. Delay time and filter cutoff frequency are modulated by a stereo LFO six waveforms; 0.
The Character tab contains four further processors. Gate and Ducking gate the wet signal with up to 3s of Release time and duck it when the dry input is present, while Noise and Wobble emulate the background noise and hum, and timing fluctuations of old analogue delay units.
The morphable noise-generating algorithm is particularly tasty. As well as movement and modulation of the wavetable index, other oscillator-related options include FM, PWM, sync and wave folding. Groups can be any number of layers deep, which makes working with complicated sessions infinitely easier. The improvements Ableton have made in this department can help you make music much more quickly and fluidly. Chief among them is Collections, which sounds absurdly simple but can make a real difference.
Collections gives you a set of seven colored labels or tags, which can be attached to almost anything in the right-hand pane of the browser: Live Sets, devices, presets, files or folders.
Collection labels are not specific to a particular Set, so anything you label will always have that label attached, and individual items can bear multiple labels. This makes for a brilliantly fast tool for quickly grouping disparate collections of things together in a way that might make sense only to you. Maybe you like to mentally categories sounds according to how they make you feel, or what smell they bring to mind? The first of these can be a life-saver if you have an audio interface with lots of inputs and outputs.
Previously, it was up to you to remember that input number 7 was the audio out from your Minimoog, or that output 5 fed the Space Echo which returned to input 5. There are the new Live Packs as well. It feels much more cohesive now, and easy to explore. While I was taking the time to live with and try the new Packs, I moved them all to one of the colour-coded Collections, so I could see them all in one place — separately from the non-standard Packs I also have installed, which was very useful.
Max For Live Devices, including the new drum synths, load faster, work better, and feel more like part of the family than ever before. What really makes Wavetable come alive is movement in the form of automation or LFOs, just a few simple adjustments and assignments can sound great. However, I know it was a hot one for a lot of users, so there you go!
On the other hand, the new Capture feature has totally crept in; I use it all the time.
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